Working between 1886 and the 1940's, this
little known group of women astronomers is responsible for the development
of schema for classifying stars by their spectra and
for generating voluminous catalogs of stellar data. Their work forms
the basis for the majority of the stellar maps in use today, and is
the foundation for the maps used to generate the LP disks for the sculpture.
The disks represent some of the more famous women astronomers of the
19th and 20th Century: Annie Jump Cannon, Williamina Fleming, Margaret
Harwood, and Antonia Maury, who were part of the group. The absence
of disks for the other members of the group is reflective of the then
prevailing social attitudes towards women in science which resulted
in many of them falling away into obscurity despite the significance
of their contribution.
This historical referent is encoded in the
label for each LP, which consists of a stellar spectrum, the name of
each woman, along with the date and location of their birth and death,
expressed in latitude and longitude. It is also encoded in the data
that is digitally imaged on each LP and which is played in real time
as a sound composition by the electronic sculpture. The sculpture is
purposefully minimalist reflecting the relative obscurity of these women
despite their significant contribution to science. Reminiscent of radio
astronomy recordings yet hauntingly familiar, the sound is the transcoding
of the lives of these women and their scientific contributions through
the data they generated.
Installation: Stars
is an interactive sound installation. One of several 12" vinyl
disks, reminiscent of an old LP, containing the images of stars in
the night sky, is placed upon a slowly rotating turntable platter.
As the sensor arm reads the unique dot pattern on the disk surface,
it is simultaneously transformed in to a sound composition.
The moveable LED
sensor arm allows for disks to be interchanged. The dot patterns on
each disk are generated from astronomical map data showing the position
and relative luminance of stars. They correspond to the full hemisphere
night sky for a specific date, latitude, and longitude, at midnight.
The dates
and locations used to create the disks, represent the birth or death
of several of the women members of the Harvard College Observatory,
collectively known as The Harvard Computers.

The luminance
of each star (dot) is used to generate the duration, volume and pitch
of the sound it generates. As each disk rotates under the sensor arm
a unique yet repetitive tonal pattern emerges. The sound generated is
suggestive of a mixture of radio astronomy recordings and the experience
of listening to music on a worn vinyl LP.